We work hard to protect your security and privacy. I freely admit I don't understand all that's going on here.... even when (inevitably) read in small doses, there's a lot of salient stuff to unpack. Refresh and try again. Northrop Frye, in order to develop a structural interpretation of genre and literature. While many of his groundbreaking theories have been, now, reconsidered, rejected or reworked, his structural approach to the fantastic, in particular to do with the cognitive response to the marvelous and the uncanny, is still at the heart of fantastic genre theory. Please try your request again later. In fact quite underwhelming. Interesting, but I didn't like the condemning tone that he applies to actual fantasy in contrast. A native of Bulgaria living in France for over four decades, he is among the most influential literary and cultural theorists writing today. An extremely helpful and well-informed must-read for any student of non-realist fiction. on the creation of the fantastic is given; in the second, a new sort of the fantastic is presented, supported by a typical example. : Tzvetan Todorov. You know that ailment that's been bugging you, but you didn't have the name for it and didn't know how a bunch of symptoms were actually related until you went and saw a specialist? Todorov, Tzvetan – The Fantastic: A Structural Approach to a Literary Genre • “the very heart of the fantastic”: (25) o “In a world which is indeed our world, the one we know, a world without devils, sylphides, or vampires, there occurs an event which cannot be … Uncertainty and ambiguity are the defining elements of Todorov's concept of the fantastic. Todorov's comprehensive report on the definition of fantastic literature wrapped in an exhaustive introduction to structuralist narratology is a classic example of structuralist finickiness producing interesting theory of limited practical use. Genres may be determined by literary technique, tone, content, or even (as in the case of fiction) length.They generally move from more abstract, encompassing classes, which are then further sub-divided into more concrete distinctions. In The Fantastic, Tzvetan Todorov seeks to examine both generic theory and a particular genre, moving back and forth between a poetics of the fantastic itself and a metapoetics or theory of theorizing, even as he suggest that one must, as a critic, move back and forth between theory and history, between idea and fact. His chapter on allegory was interesting, but then he seemed to contradict himself by later ignoring every rule about reading fantasy that he put forth. His term hesitation is reminiscent of the terms ambiguity and ambivalence used in the definition of the grotesque. Xiii-xvi. 0 Reviews. All in all, Todorov is insightful and his book is a great companion to anyone who enjoys French, English, or American supernatural fiction. The Fantastic: A Structural Approach to a Literary Genre. Todorov seeks linguistic bases for the structural features he notes in a variety of fantastic texts, including Potocki's The Sargasso Manuscript, Nerval's Aurélia, Balzac's The Magic Skin, the Arabian Nights, Cazotte's Le Diable Amoureux, Kafka's The Metamorphosis, and tales by E. T. A. Hoffman, Charles Perrault, Guy de Maupassant, Nicolai Gogol, and Edgar A. Poe. Very few parallels are drawn to the fantastic genre and Todorov's rather simple theory is hidden beneath a mountain of academics. . Fantastic A Structural Approach To A Literary Genre PDF Book Download is the better guide for you. AbeBooks.com: The Fantastic: A Structural Approach to a Literary Genre (9780801491467) by Tzvetan Todorov and a great selection of similar New, Used and Collectible Books available now at great prices. Reviewed in the United Kingdom on August 18, 2015. In The Fantastic, Tzvetan Todorov seeks to examine both generic theory and a particular genre, moving back and forth between a poetics of the fantastic itself and a metapoetics or theory of theorizing, even as he suggest that one must, as a critic, move back and forth between theory and history, between idea and fact. A good structuralists compass. Todorov takes on a double task within this text, to both explore the generic structures of the fantastic, and to challenge previous interpretations of genre, viz. His work on the fantastic is indeed about a historical. Definitelly a must-have to gothic literature aficionados interested in a deeper understanding of authors such Lovecraft and Poe. His initial definition of fantasy as a type of 'hesitation' is wonderful, (compare with Lacan's definition of the 'real' in similar terms for bonus points) but after this point is made, he clearly has little else revealing to part with on the subject. While it focuses on a small slice of the genre of speculative fiction (Todorov defines the fantastic as a kind of hesitation between deciding whether a supernatural event is real or imagined, rather than uncanny where the event turns out to have a "real world" explanation, or the marvelous, where the supernatural event has a supernatural explanation), there are many points about the genre that carry over into the greater category. Afterwards, by examining separate fantastic texts narrows down the key concepts of the fantastic and formulates his own definition. The Fantastic: A Structural Approach to a Literary Genre. Prime members enjoy FREE Delivery and exclusive access to music, movies, TV shows, original audio series, and Kindle books. Press of Case Western Reserve University, 1973 - Fantastic fiction - 179 pages. Find helpful customer reviews and review ratings for The Fantastic: A Structural Approach to a Literary Genre at Amazon.com. "This, the first of Todorov's books to be translated into English (it was originally published in French in 1970), is brilliant.... Todorov's attempt to formulate a general theory for studying themes without subordinating literary theory to the social sciences makes this book indispensable to serious students of lietarture.". Ruddick. The hint of the supernatural and marvelous has to be be. The Fantastic. Todorov's coverage of his genre is slick, and he does a very good job of establishing the specific type of fantasy he's dealing with. This book is a great achievement in criticism, but one should be warned that Todorov is not talking about elves and dragons when he uses the term "Fantastic." Yates, JoAnne, and Wanda Orlikowski. Trans. Viel ist du diesem grandiosen Standardwerk nicht zu sagen: es ist einfach genial. Be the first to ask a question about The Fantastic. A Must if you’re studying the fantastic genre or the structural approach to literature. A general theoretical section introduces recent work on fantasy, notably Tzventan Todorov's The Fantastic: A Structural Approach to a Literary Genre (1973). This system of definiton is of much help for researchers of literature, like myself, who sometimes get lost amidst so many prolix approaches. Booktopia has The Fantastic, A Structural Approach to a Literary Genre by Tsvetan Todorov. Then you can start reading Kindle books on your smartphone, tablet, or computer - no Kindle device required. Enter your mobile number or email address below and we'll send you a link to download the free Kindle App. In The Fantastic, Tzvetan Todorov seeks to examine both generic theory and a particular genre, moving back and forth between a poetics of the fantastic itself and a metapoetics or theory of theorizing, even as he suggest that one must, as a critic, move back and forth between theory and history, between idea … A literary genre is a category of literary composition. Unable to add item to List. An analytical view of the fantastic and its contribution to literature as a whole. There's still some very good points in there. His demolition of Northrop Frye's approach to 'genre' in Chapter 1 is still cogent after thirty years (and an amusing read in its own right), but it's Todorov's chapters on the 'themes of the fantastic', and his conclusion on its role in literature generally, which are most compelling. 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